{"id":182,"date":"2014-07-07T11:09:46","date_gmt":"2014-07-07T09:09:46","guid":{"rendered":"https:\/\/www.simms.ch\/?p=182"},"modified":"2020-12-21T16:24:58","modified_gmt":"2020-12-21T15:24:58","slug":"contrasting-environments-pixies-and-qotsa","status":"publish","type":"post","link":"https:\/\/simms.ch\/?p=182","title":{"rendered":"Contrasting Environments: Pixies and QOTSA"},"content":{"rendered":"<p>The autumn saw two excellent gigs in wildly different contexts, confirming for me once again that I much prefer small venues to huge arenas.<\/p>\n<p><strong>The intimate<\/strong><\/p>\n<p>The mighty <strong>Pixies<\/strong> came to Geneva and found themselves in the fairly unexpected district of Th\u00f4nex, in the eastern suburbs a stone&#8217;s throw from the French border.  It was on one of the major tram lines, though, so logistically it was fine.<br \/>\n<!--more--><\/p>\n<p>I&#8217;ve loved the band since my student days and had hurried to see them when they reformed a decade ago; this would finally be a chance to see them rolling out new material with a new bass player.<\/p>\n<p>Arriving early at the Salle des F\u00eates in Th\u00f4nex and dodging the rain to get in, the friendly staff immediately suggested that my daughter and I might like to bag a seat upstairs on the balcony rather than take our chances in the pit.  This sounded like a good move so we claimed a prize position in the middle of the front row.<\/p>\n<p>The show itself was exactly as I&#8217;d hoped, full of colour and dynamics, classics interspersed with new pieces, played with precision and fierce concentration.  The choice of material was typically eclectic with the odd cover thrown in but there was enough of the really old stuff in there to please the hardcore fans.  I thought that Kim 2 was a fine choice of recruitment for the band, an excellent bass player with the right kind of voice to offset Frank&#8217;s, and was surprised to hear that she&#8217;d left the band after the tour.  As always there was no talking between songs but that&#8217;s an accepted part of their style.  They did seem to appreciate their reception.<\/p>\n<p>I would have liked to hear <em>Gouge Away<\/em>, but still.<\/p>\n<p><strong>The immense<\/strong><\/p>\n<p>Shortly afterwards it was off to Basle to see what <strong>QOTSA<\/strong> had to offer.  I&#8217;m not a fan of arena gigs, disliking the crowds and the distance and the vaguely impersonal sense of it all, but when bands reach a certain size their tours will necessarily take them to such venues.<\/p>\n<p>The St. Jakobshalle was busy and bustling, the area made even more noisy and colourful by a quirk of scheduling meaning that FC Basel were playing a Champions League group match just over the road.  Public transport to get there was crowded and it was clear that returning on foot was going to be the order of the day.<\/p>\n<p>QOTSA&#8217;s <em>&#8220;&#8230; Like Clockwork&#8221;<\/em> album was by quite a long way my album of the year for 2013 and I&#8217;d been looking forward to seeing how well it stood up live alongside their older stuff.  The short answer is that it merged seamlessly, Josh leading his band through a setlist spanning the band&#8217;s entire career with barely a pause and with frequent exhortations to the security staff to allow people to dance however they liked.  Closing song <em>Go With The Flow<\/em> was a bit loose, but that was soon forgotten because of the power and precision of the encores, particularly a lengthy rendition of <em>I Appear Missing<\/em>, the stand-out track on the latest album, and a lengthier meander through the eerie and twisted <em>Song For The Dead<\/em>.<\/p>\n<p>QOTSA are an intriguing mixture.  They rock as hard as anybody but there&#8217;s a kind of of sensual groove to a lot of their songs and an almost psychedelic buzz underpinning it all.  Their song filled the aircraft hangar that is the St. Jakobshalle but I can&#8217;t help but think they&#8217;d be a more intimate and intense experience in a smaller venue.<\/p>\n<p><em>Pixies setlist:<\/em><\/p>\n<p>Planet of Sound<br \/>\nVamos<br \/>\nDistance Equals Rate Times Time<br \/>\nI Bleed<br \/>\nIndie Cindy<br \/>\nRiver Euphrates<br \/>\nBagboy<br \/>\nBreak My Body<br \/>\nMonkey Gone to Heaven<br \/>\nAna<br \/>\nMagdalena 318<br \/>\nNo. 13 Baby<br \/>\nDead<br \/>\nBroken Face<br \/>\nWhat Goes Boom<br \/>\nWave of Mutilation<br \/>\nHey<br \/>\nSilver Snail<br \/>\nBlue Eyed Hexe<br \/>\nTony&#8217;s Theme<br \/>\nBrick Is Red<br \/>\nNimrod&#8217;s Son<br \/>\nThe Sad Punk<br \/>\nEd Is Dead<br \/>\nGreens and Blues<br \/>\nDebaser<br \/>\nI&#8217;ve Been Tired<br \/>\nTame<\/p>\n<p>Encore:<br \/>\nIn Heaven (Lady in the Radiator Song)<br \/>\nAndro Queen<br \/>\nWhere Is My Mind?<\/p>\n<p>Encore 2:<br \/>\nBig New Prinz<br \/>\nHead On<\/p>\n<p><em>QOTSA setlist:<\/em><\/p>\n<p>You Think I Ain&#8217;t Worth a Dollar, but I Feel Like a Millionaire<br \/>\nNo One Knows<br \/>\nMy God Is the Sun<br \/>\nHangin&#8217; Tree<br \/>\nBurn the Witch<br \/>\nI Sat by the Ocean<br \/>\n\u2026Like Clockwork<br \/>\nIn the Fade<br \/>\nMisfit Love<br \/>\nIf I Had a Tail<br \/>\nKalopsia<br \/>\nLittle Sister<br \/>\nFairweather Friends<br \/>\nSmooth Sailing<br \/>\nMake It Wit Chu<br \/>\nMexicola<br \/>\nSick, Sick, Sick<br \/>\nGo With the Flow<\/p>\n<p>Encore:<br \/>\nThe Vampyre of Time and Memory<br \/>\nI Appear Missing<br \/>\nA Song for the Dead <\/p>\n<p>(setlists courtesy of setlist.fm)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The autumn saw two excellent gigs in wildly different contexts, confirming for me once again that I much prefer small venues to huge arenas. The intimate The mighty Pixies came to Geneva and found themselves in the fairly unexpected district of Th\u00f4nex, in the eastern suburbs a stone&#8217;s throw from the French border. It was [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"_links":{"self":[{"href":"https:\/\/simms.ch\/index.php?rest_route=\/wp\/v2\/posts\/182"}],"collection":[{"href":"https:\/\/simms.ch\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simms.ch\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simms.ch\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/simms.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=182"}],"version-history":[{"count":2,"href":"https:\/\/simms.ch\/index.php?rest_route=\/wp\/v2\/posts\/182\/revisions"}],"predecessor-version":[{"id":184,"href":"https:\/\/simms.ch\/index.php?rest_route=\/wp\/v2\/posts\/182\/revisions\/184"}],"wp:attachment":[{"href":"https:\/\/simms.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=182"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simms.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=182"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simms.ch\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=182"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}